Current Series
Mimosas – January 2026
Mimosa announces the coming of spring, its bright yellow awakening the lethargic landscapes of winter. Much like haiku, I explore this metamorphosis.
Winter – December 2025
Winter reshapes the landscape, purifying shapes, as grey and matte textures contour the space. The softened light of the South occasionally lets a silver flash burst through, for a fleeting moment.
Series of 20 pieces.
Mixed media collages on paper, formats 7.9 × 7.9 in and 11.8 × 15.7 in.
Autumn – September 2025
The light fades and leaves begin to fall. Nature prepares itself to enter a time of stillness.
Series of 24 pieces
Mixed media collage on paper, 11.8 × 15.7 in.
Sombra – Novembre 2024
Combined techniques on paper. Size 50/65
Woods – 2022
The idea of landscape defines my work.
Getting across spaces, sensory experiences with the elements, the feelings’ twists and turns we are being led to are the common threads of my research.
The delicateness of living things -plants, rocks, lands, sea, rivers, streams, and invisible particles – moves me.
The violence of men facing the elements touches me and I paint to show my gratitude, to echo this suffering that resonates in me.
The mountains, the sea, the rivers haunt the imaginary places inspired by my strolls and my visions, enhanced by the southern light.
I have run away from the gloom, the lack of space. Nature in the south is powerful, it terrifies me sometimes, impresses me, haunts me, bewitches me, I contemplates it without ever getting weary.
Diptychs 63/39 inches, combined technique on canvas.
Woods – Black & White
22/29 inches, combined technique on Arches paper.
Past Series
Silencio – 2020
Silence does not prevent rage, the silent painting holds the tumult inhabiting us and shouts our emotions out.
I should speak up.
Oil on canvas, size 63/63 inches et diptychs 63/39 inches.
Ding Ding Dong Collective – 2016
The Ding Ding Dong collective, co-production of knowledge on Huntington’s disease offers since 2002 a cross-disciplinary reflection through researchers, philosophers, dancers, filmmakers, artists and doctors so to propose investigation and research trails.
Within the collective, several texts have been written and for the latest release the canvas Papa could swear will illustrate the newest book in September 2022.
Wall Painting – 2012
Pour down my trees, Wallpainting with graphite.
Project for the Expmrlt gallery in Toulouse.
Collaboration with Vincent Bergerat.
Hypothèses – 2011
Just like a deposit, the fragmented space (diptychs 80/40 inch), opens up to a nebula that is light but dense, aerial but abyssal.
Working with pencils, oil and collages, the works question the very sources of creation, the roar, and the flows going through us.
Landes – 2010
This series is a tribute to birds, deer, does, roes, populating the forests like ghostly invisible sculptures.
Birds, wild animals are the figure of a wild nature that man erodes.
Just like strolls at sunset, the series reminds of scenes, an ode to the flora and fauna
Combined technique on paper 20/25,5 inches, and combined technique on canvas 40/40 inches.
Candy Birds – 2010
Merry and colourful birds populate the series with their cheekiness.
An unexpected experience which playfulness and freshness thumb their nose at naturalism.
A funny and whimsical nature that is like an antidote to melancholy.
Combined technique on paper 20/25,5 inches.
Haikus – 2009
The series is displayed as a large panoramic shot; the viewers face abstract convergence lines that invite them to walk through an unreal yet present floating landscape.
Like Basho and his 111 haiku poems, the installation uses the poetic codes with an optimal use of resources where graphite and ink brighten up the collages.
Each piece makes sense in its uniqueness but as a whole they become a landscape, a floating horizon.
Thierry Tanières, Galerie, La Poissonnerie, Marseille
